Tiffany Jenkins Keeping Their Marbles

Keeping their marbles how the treasures of the past ended up in museums and why they should stay there tiffany jenkins.

Tiffany jenkins keeping their marbles.

Tiffany jenkins is a writer author and broadcaster. Tiffany jenkins the benin bronzes were plundered by britain but those who demand their return are ignoring some uncomfortable truths sun 25 nov 2018 04 00 est the british museum has agreed to loan. She lays out several arguments for this including the fact that some of these items would have been destroyed if they weren t in the uk either now or when they were first collected. Tiffany jenkins is an unabashed supporter of keeping the elgin marbles and many other items in collections like that of the british museum which come from other countries.

She investigates why repatriation claims have soared in recent decades and demonstrates how it is the guilt and insecurity of the museums themselves that have stoked the demands for return. Tiffany jenkins is a writer and author of keeping their marbles. Her last book keeping their marbles. In keeping their marbles tiffany jenkins tells the bloody story of how western museums came to acquire these objects.

In keeping their marbles tiffany jenkins tells the bloody story of how western museums came to acquire these objects. How the treasures of the past ended up in museums and why they should stay there and contesting human remains. How some of the greatest treasures of world archaeology ended up in the musems of the west. How treasures of the past ended up in museums and why they should stay there oup was published in 2016 to critical acclaim.

In keeping their marbles tiffany jenkins tells the bloody story of how western museums came to acquire these objects. She investigates why repatriation claims have soared in recent decades and demonstrates how it is the guilt and insecurity of the museums themselves that have stoked the demands for return. To the british sociologist and provocateur tiffany jenkins the controversy over the elgin marbles forms a powerful image the telling synecdoche the key example for all the troubles that beset. She investigates why repatriation claims have soared in recent decades and demonstrates how it is the guilt and insecurity of the museums themselves that have stoked the demands for return.